William Deverell went down the self-publishing road for Kill All the Lawyers. This may be the first of many self-pubbed Deverell books, and publishers should be watching.
Kodak waited far too long to truly embrace HD digital image capture, and the major publishers are waiting far too long before they will eventually be forced to truly embrace e-books rather than trying to sabotage them with high prices and lousy royalties.
And I didn't even have to get arrested to make that happen. Membership has it privileges, and for years I've been a member of the Crime Writers of Canada, ever since my editor at Storyteller Magazine (alas, gone now--the magazine, not my editor) told me I should join.
All the great success stories on Amazon--from Amanda Hocking to John Locke--have one thing in common: multiple books.
John Locke writes in his book, How I Sold 1 Million eBooks in Five Months, that the fastest way to get a bad review is to have a reader review your work who is not from your target audience.
What do zombies and the New York Times Book Review have in common? Until recently, I'd have said absolutely nothing. Why would one of the most prestigious book reviews in the English speaking world start talking about zombies?
But zombies are about war. Whether it's a first person shooter game, or the Walking Dead, zombies are getting mowed down with machine guns, beaten with clubs and shot with arrows.
There's a shift going on in publishing that publishers and agents should be discussing over their lattes in the boardrooms of Manhattan.
Sometimes little birds speak to me at this blog. The latest nugget that dropped in my lap concerns the Writers Union of Canada, a great organization that provides its members with contract advice and more.





