I’m actually not British but rather a total colonial mutt. However, my roots on my mother’s side do go back that way, so perhaps that’s why I’m not screaming at the top of my lungs: “I’m the SFContario 3 Idol!” Okay, there, I said it.
World Fantasy Convention in Toronto was sparklingly well organized, and I had a great time, but I was surprised to hear these two words popping up repeatedly: flux and chaos. I first noticed them during the eBooks panel, which was packed.
I attended this panel expecting to hear the usual: eBooks are evil, they’re a fad, we need traditional publishers as “gatekeepers,” a paternalistic and condescending concept. Instead, I heard industry professionals state that eBooks are here to stay, and that the publishing industry is in a state of flux and chaos. One of the panelists expressed the desire to leap ten years into the future so that he could again live in a stable world, although I did get the impression that he would’ve been even happier to jump twenty years into the past.
I have a confession to make. I don’t believe there’s going to be a zombie apocalypse. I do, however, believe in pandemics, floods, hurricanes, huge power blackouts and slow government responses.
The film industry is a great place for a writer who doesn’t want a full time job. I loved it because I spent a lot of time as a daily, going from show to show on a moment’s notice, working on everything from big feature films to YTV kids’ shows. One tradition I noticed was that when the day was over, the regular crew often said to me, “Thanks for a great day.” There was always a sense of relief and it was a sincere compliment. They were happy that I was the guy the union dregged up, and they wanted me to know they appreciated my work. Eventually I did succumb to the lure of money and worked full time on a bunch of shows, and I always continued that tradition when I had extra crew out to operate extra cameras. Thanks for a great day.
I have a confession to make: I’m not as big a Pearl Jam fan as my wife, or at least I wasn’t until I went to Missoula, Montana. I liked their music before, and I thought they were talented, but I wasn’t a dedicated fan. I didn’t go looking on iTunes for their music.
But excellent marketing changed all that. I’m a lousy marketer, but here’s what I learned in Missoula:
The launch of Generation Apocalypse has been a hectic and exciting time. While we aren’t even close to breaking Stephen King’s average sales for a single hour, it has been a personal best for me, and it was fun to see the novel quickly climb to 15,000 on the Amazon best seller rank. I admit that’s not record breaking for a lot of novels (No Easy Hope, a zombie novel I keep tabs on, has been around the 1500 mark for about a year) but it’s nice to see my sales improving with each launch.
He had just turned ten when the world ended. At first it was fun, because some of the teachers stopped showing up at school. The principal, tall and angry, kept stuffing the students into the gym to watch movies, promising each day that next would be normal. Instead, fewer and fewer of Tevy’s friends came to school, and one day neither did the principal.
I’ve got a confession to make: book two of the 1000 Souls series is ready to go, but I’m not going to launch it just yet. I apologize to my fans, some who’ve been on my Facebook page gently urging me to hurry up. I know I’ve missed several deadlines, and I hate to make people who are eager to read my novel wait just a little bit longer. I’m as eager for them to read it as they are.
But I disagree.
Agency pricing–the price fixing that the big six publishers conspired on for eBooks–is bad for established authors and in the long run it will be bad for the big six publishers. In the short term the Department of Justice (DOJ) is right in that it causes “unmistakable consumer harm.” But what both the DOJ and the publishers ignore is the indie publishing market.
Here’s what agency pricing does for us indies: