World Fantasy Convention in Toronto was sparklingly well organized, and I had a great time, but I was surprised to hear these two words popping up repeatedly: flux and chaos. I first noticed them during the eBooks panel, which was packed.
I attended this panel expecting to hear the usual: eBooks are evil, they’re a fad, we need traditional publishers as “gatekeepers,” a paternalistic and condescending concept. Instead, I heard industry professionals state that eBooks are here to stay, and that the publishing industry is in a state of flux and chaos. One of the panelists expressed the desire to leap ten years into the future so that he could again live in a stable world, although I did get the impression that he would’ve been even happier to jump twenty years into the past.
But what really caught my attention was what Betsy Mitchell, a former Del Rey editor, thought of the eBook revolution. To my utter astonishment she stated that this is a wonderful and exciting time for writers and readers. She expressed delight that cross genre work that would never have been accepted by the rigid guidelines of most publishing houses was now getting out and finding audiences and success thanks to eBooks.
You could have knocked me over with a feather. An industry pro I’ve long respected and admired says she loves the eBook revolution. This is a huge change over two years ago, when the vitriol expressed by most authors and editors over the mere existence of eBooks, let alone the impudence of indie-authors to by-pass the publishing industry and its sanctified gatekeepers, was way over the top when opinions were expressed at all. Indeed, I attended the Ad-Astra eBook panel in 2010 and found that only three of the five panelists and four audience members even bothered to attend. And if that wasn’t an indictment of eBooks, two of the panelists spoke with concern about who the gatekeepers would be in this new electronic format.
The words flux and chaos continued to pop up throughout the weekend, especially at a panel on the future of cover art. Several great illustrators on the panel all expressed concern about their future in a market that is in a state of flux and chaos. A couple of them say they are looking for alternate sources of revenue since the traditional publishers are commissioning less and less cover art. When I asked near the end of the panel if any indie-pubbers had contacted them for cover art, the moderator dismissed me out of hand, stating that a whole new panel would be required to deal with that question. He added that self-pubbers have “no idea how to commission cover art.” Perhaps that was his way of saying I couldn’t afford him. To which I respond: the publishing world is in a state of flux and chaos. You can resist it or profit from it. Educate us. There are more covers out there than ever. There is opportunity.