Tag archive: e-readers

Coming Soon to a Kindle Near You

My post-apocalyptic vampire novel, Vampire Road, will launch Monday, May 30th.  It will only be available for the Kindle platform via Amazon at first, but all other formats will follow.

Warning: if you want to read about sexy vampires in love, stay away.  If you want to read about conflicted vampires who suffer bouts of guilt about their serial killer lifestyle, this is not the book for you.

If you want a fast-paced exciting read, this is your novel.  It’s about brave people fighting to survive against all odds.  Unfortunately, they spend almost as much time fighting each other as they do fighting their real enemy, but that’s what human beings do when stressed to the breaking point.

Stay tuned to find out how you can win a free download.

Kindles Everywhere

Look out Sony e-reader, Nook and Kobo, because Amazon announced this week that Kindles are now on display and available for purchase at 3,200 Walmart stores.  Since they’re already in Best Buy, Staples and Target, that means they’re everywhere, and they’re getting cheaper with the new ad version.

This can only be good news for authors, because once people get their hands on an e-reader, any e-reader, they’re going to want content–inexpensive content.

I know I keep repeating  this, but so many good writers I know out there refuse to publish because they’re waiting for the brass ring and the pat on the head from a literary agent, a publisher and the adoring public in that order.  A two year process at best.

So I’m going to try a little experiment.  By this Friday, I hope to have crunched through all of the editor’s notes on my vampire novel.  I want to publish it to coincide with the launch of the movie Priest, which as I posted before, has some very similar themes–walled cities, vampire armies and warrior priests.

I’ll keep track of how many copies of my e-book novel (and its sequels) that I sell in the next two years.  There’s only one prediction I can make that I’m certain will come true: I’ll make more money and have more sales than my friends who have yet to get a literary agent to start their ball rolling.

Genre Fiction Sells Well on Kindle

Genre fiction is selling so well on Kindle that Amazon is stepping further into the publishing roll.  They’ve opened up an imprint, Montlake Romance, that will publish everything from paranormal romance to suspense romance.

The good news for me and other genre fiction writers is that they intend to expand into other genres, maybe mystery and SF.  This means they’ll be looking for talent, and my guess is they’ll go looking at Kindle sales figures of indie e-pubbed authors to see who they should pick up.  It’s sort of a wiki to sort through the slush pile, no expensive acquisition editors to house and feed.

This, of course,  will have traditional publishers frothing at the mouth.  They merged into the big six over the last twenty years because they don’t like competition.  They’ve consoled themselves over the last few months that paper books are still 80% of book sales, and they’ve got their fingers crossed that e-readers will just be a fad that will go the way of the CB radio.

But now Amazon launches Montlake and says it will be for e-books AND print books.  Clearly Amazon has an eye on that 80% of book sales too.

An argument I’ve heard from authors who are traditionally published is that by e-publishing I’ll only be selling to 20% of the market while crossing my fingers in hopes that e-book sales continue to rise.  But what if my sales are good enough to get noticed by Amazon?  Maybe they could end up being my print publisher.  Anything is possible in this new publishing world, and it beats the heck out of writing query letters to overworked literary agents.

The Wall Street Journal Gets It

The Wall Street Journal had an interesting article about how self-pubbed e-books are totally upending the e-book market.  My favourite quote is from author John Locke, who sold 369,000 downloads of his seven novels on Amazon just in March.  Locke says, “When I saw that highly successful authors were charging $9.99 for an e-book, I thought that if I can make a profit at 99 cents, I no longer have to prove I’m as good as them.  Rather, they have to prove they are ten times better than me.”

With the economy faltering and readers still hungry for books for all those e-readers they got for Christmas, the market for cheap novels is going way up.  Who wants to spend $14 for a quick read when you can get 14 novels for the same price?  If ten of them are unreadable crap, you’re still ahead if you’ve discovered four good novels.  Hey, you’re still ahead with two good novels.

But their are others out there who see this too.  F + W Media has just launched a crime imprint that will sell just e-books, no print versions.  Mystery authors who don’t want to self-pub should be getting their book pitches ready.

Those people at F + W are savvy.  I’m guessing they’ll be pricing the mysteries higher than 99 cents, but way less than $14.  I also bet they’ll offer authors better than 25% for e-book royalties.  This is the future.

E-books Get More Like Paper Books

The crowd that clings to paper books has a standard set of excuses as to why they prefer dead, pulped trees over electrons as their delivery system for words.

Excuse # 1: I can’t lend an e-book to a friend like I can with a paperback.

That argument fell apart when Amazon introduced their share function, which allows readers to share e-books the same way you would with paper: you electronically lend it to a friend for three weeks, during which you can’t access the book (just like with paper books) and at the end it reverts to you, and your friend no longer has access to the book.  Hey!  That’s even better than a paper book because I don’t have to go chasing down my friends to get my books back.

Excuse # 2: I can’t borrow e-books from the library.

Actually libraries have been loaning e-pub format books (think Sony E-reader) for ages, although the lending systems have been plagued with the challenges you’d expect from a new technology.  But this morning everything changed again: Amazon is going to partner with Overdrive to bring Kindle format e-books to 11,000 US libraries.  This is going to dramatically improve the current delivery system, and it’s  going to put more pressure on publisher’s like Macmillan and Simon and Schuster, who have yet to allow lending of e-versions of their books, and HarperCollins and the others who have placed many restrictions on e-book lending, much to the consternation of librarians.

Excuse #3: I can’t take an e-reader into the bathtub.

Put an e-reader into a large ziplock bag and it’s actually better in the bathtub than a paper book.  Turning pages is a simple press of a button rather than fumbling with wet fingers on dry pages.  Better yet, if you drop your ziplock-bagged e-reader in the tub it’ll stay dry and unharmed, unlike a paper book, which will require a long drying period that may still fail to prevent mold.  This assumes, of course, that you don’t fall asleep, roll over onto your e-book, shove it to the bottom of the tub and sit on it for an hour.  I can’t help you there.

Excuse # 4: But I like the smell and feel of paper books.

That smell is printing chemicals, binding glue, and if it’s an old book, mold and mildew.  Most people like the look and feel of candlelight too, but how many people stuck with candles as their primary light source after  electric light bulbs were invented?  I’m sure there were hold outs who didn’t trust the new-fangled electricity, and I’ll bet they had a long list of excuses as to why they didn’t want anything to do with that new technology.

The reason e-books will become the standard is that rather than being as good as paper books, they’re actually better.  The publishers who accept this first will be the most successful during the next ten years.

Priest Forces My Hand

The first hint of trouble came from a friend who had read and liked my vampire novels.  He sent an e-mail with a link to the website of the movie, Priest, and asked me if it sounded familiar.   The tone of the e-mail indicated he already knew the answer.

Three of the main components of that movie trailer are in my novel: walled cities, vampire armies and warrior priests.  Aside from that my novel is very different, but I know people will draw parallels between the two.

I admit vampire armies is not that original an idea.  I mean, if you make two vampires and they make two vampires and so on it’s pretty obvious that eventually humans will have to wall off their cities and fight swarms of vampires.

As for my protagonist belonging to a quasi-religious order–well priests have been fighting demons for centuries, and Hollywood has exploited that idea many times.

So I had to decide: slink away with my Priest-like vampire novel or go for it.  Then it occurred to me that this is a marketing dream.  When people ask what my novel is about, I can say that it’s Priest meets the Battle for Helms Deep from Lord of the Rings.

Okay, some of you won’t have a clue what I’m talking about, but the fans who would buy this type of novel will know exactly what I mean.

I can’t wait to see Priest, because I’m pretty sure that the movie’s high-tech take on vampire fighting is very different from my post-apocalyptic novel, where gunpowder is so scarce that people carry swords and cross bows as supplementary weapons, and gasoline engines are a thing of the distant past.

I’m also betting that I have the better story, but I’m judging the trailer so that may not be fair.

So here’s the plan: run my novel to my editor (God help me) and hire a cover artist.  This novel has already been through several readers, so hopefully Fogel won’t totally gut me.  By the release date of Priest, May 13th, I intend to launch my novel on Amazon.

It’s going to be a tight deadline, especially since the Toronto Marathon is on May 15th and I’m training five evenings a week, but it’s exciting.

White Metal

My short story, White Metal, took the cover of the Storyteller Magazine’s fall 2006 edition, but this is not that cover.  Because I can’t get the rights to the cover from Storyteller, even though it’s gone out of business, I had to do up my own cover.  It’s actually better.

I now have all six of the Sioux Rock Falls stories up on Amazon.  I’m working on two more shorts and I’ll launch the whole series as anthology in a couple of weeks.  What do you think of the title: Reckless in Sioux Rock?

Railroaded with a New Cover

Railroaded tied for second in the 2005 Great Canadian story contest.  How three judges tied for their second place vote I’m not really sure, but hey, I’ll take it.

Why yellow for the titles?  Well red doesn’t reduce well to an Amazon thumbnail, so reading even the big title was a challenge.

I’m going out on a limb here, but I bet you’ll find that titles and author names in future books are going to get bigger and fatter as designers are ordered to create titles that look good both as full size and as thumbnails.

The title in red will be available for the Sony soon as e-pub, thanks to the open source software called Calibre.  On my Sony the red looks just fine, but hey, it’s being displayed full screen and gray scale.  I wonder what it looks like on a color Nook?

I promise to get that how-to menu item up there next week.  But for now: enjoy Railroaded.

Burning Moose

I’ve gone nuclear on my Microsoft Word document; I’ve loaded Mobipocket creator to the PC side of my MAC, since Mobi doesn’t make a MAC version.  Finally, I photoshopped  the spiffy new cover you see on the left.

Yup, I’m finally ready to re-launch my Sioux Rock Falls Short Story, Burning Moose.  This was the first of a series of stories that appeared in Storyteller Magazine between 2002 and 2006.

Yes, re-launch.  It’s been up there on Kindle for months, but friends and fellow authors who purchased it warned me that despite my best efforts, the formatting was corrupted.  There were no paragraph indents at all, which is really challenging when reading fiction.

This week I’m going to put up a detailed how-to menu item for those who want to e-publish well-formatted shorts or novels.  This may sound dull, but in the very crowded indie e-publishing industry, authors will need to stand out from the junk.  Just like with submissions to agents and publishers, the first thing that can get you tossed in the trash is a sloppily formatted story.

I certainly don’t want to lose sales because a reader checked out a sample on Kindle and then didn’t purchase my story because the formatting looked amateurish.

So enjoy the story!  Coming next: Railroaded, Beer Truck, Jumpin Jack, Fire Retardant and White Metal–the whole Sioux Rock Falls series.  I’m already working on a fake Sioux Rock Falls website, complete with ads for the True North Cafe, the Spin Cycle launderette and Elite Bar and Grill.

This is going to be fun!

Front Matter, Back Matter, Meta Data?

So I’m working my way through the Smashwords Style Guide, and I’m surprised to discover that they want me to put a long warning about copyright infringement at the beginning of my e-books.

I’m reminded of the FBI warning at the beginning of video movies, the ones I used to fast-forward through before DVDs came along and made that impossible.  I’ve often wondered how many movie pirates read that warning and said, “Oh no!  Better not copy or sell this.  That’s against the law.”

So I put all this extended copyright stuff at the front of my short story, Fire Retardant, and all I’ve accomplished is cluttering up the story preview–you know, the sample the buyer can check out before they take the 99 cent plunge.  Potential purchasers spend more time reading a copyright notice than my brilliant words.  That’s gonna change.

A quick survey of other e-books on my Sony proves that even Random House puts this stuff at the back, but I’m wondering if there’s even a better way: how about in the meta-data?  I’m going to check out the mobi e-pub software and see if I can stick this into the meta data when I generate the stories in Kindle format.  I would still put a copyright date with my name at the beginning, but not a long notice.

I’m guessing that the whole concept of putting copyright at the front began because in print books the first page is on the right anyway, so you might as well stick all that copyright notice stuff on the left side.  But in e-books that makes it the first page, which is probably why most publishers are switching it to the last page.

Makes sense to me.  Hey Smashwords!  You guys getting this?