Category archive: e-books

Back from The Dead

Last time that I worked in the film industry it was the year of the zombie films.  Well apparently the film industry is like a zombie: just when you think it must be dead it comes screaming back.

The monster that ate my life has hardly finished digesting, and now I find out it’s going to be a VERY busy year in film in Toronto.  My union knows I’ve been inactive for years and that I haven’t kept up with the new cameras, but at last week’s AGM many warned me that if you could say the word “film” in Toronto this summer you’d be working.

Great news, but not good writing news.  The film industry is the ultimate monster when it comes to life.  My favorite quote is from Hunter S. Thompson, who described the film industry as “A huge money trough populated by pimps and whores where good men die like dogs.”

Over the top?  Yes.  But when you work 14-16hrs a day, getting by on 4 or 5 hours of sleep, until Sunday when you just sleep all day so that you can start over again a 6:00 am on Monday, well, it makes for some interesting, sleep-deprived interactions on set.

It also doesn’t leave much time for writing.  If I’m going to keep this blog going, I’ll have to do it from on set with my i-phone.

So I’ve been warned.  Get my books to market before June, or wait till next year.

Who knows, maybe I’ll get a few new short stories out of it.

Sony, Why Do You Make Me Crazy?

I want to like my Sony e-reader.  I was one of the early adopters, which means I paid double what most of you paid so that I could  get it a few months sooner.  Yes. I’d have waited if I’d known the price was going to fall through the floor, but I’d been tracking e-readers since the Rocket e-book debuted in 2000, and I just couldn’t wait any longer.  This was the future.

I’m no tree hugger, but hey, why cut down forests so that you can read a mystery novel once or twice, let it gather dust on a book shelf and leave someone else to throw it into landfill after you’re dead?

Content is king, and when I found out Sony was open source e-pub software and would have a e-reader store a la Amazon, I went for it.  The problem is the Reader Store.

For the third time I’ve gone to the Reader Store, clicked on a promoted novel and been unable to load it because it’s “Unavailable in your territory.”

Worse, the first time I had clicked “Canadian Edition.”  It took two days for Sony staff to figure out that it was a mistake and there was no available Canadian edition.

Today’s victim was “The Girl With the Dragon Tattoo.”  Susan bought it with her Kindle from Amazon.com no problem and recommended it.  We debated whether she’d just loan me her Kindle, but it was easy to see that she didn’t want to part with the device for even a day.  She’s an avid reader.

That’s how I ended up at Sony’s Reader Store today, and I was pleasantly surprised when I saw that Larsson’s bestselling novel was on sale for five bucks.  Now I’d signed in to the store, so the software should have known my “territory.”  But instead it just threw up whatever page is there for Americans, prominently featuring Larson’s novel.

So Sony promotes this novel to me but won’t sell it to me.  Why do you make me so crazy?  If it weren’t for the fact that Google e-books work on the e-reader, I’d be pitching the damn thing into the snow on my front lawn.

Snow Helps E-books

Lots of people got Kindles and Nooks and e-readers over Christmas this year.  These lucky people also apparently decided it was too snowy to go out shopping between Christmas and New Year’s, because instead they stayed home and purchased record numbers of e-books.

According to USA Today, the top 6 bestsellers sold more e-books than print books, and 19 of the top 50 also sold more e-books.  After more than a decade of hype and failure, it looks like e-books have finally got off the ground, and this time it’s not just better readers but more and cheaper content that has made the difference.

It’s time for traditional publishers to wake up and remember that they’re publishers, not printers.  Stop fighting to keep to the old delivery system and just move on with the new one.

Better Not Trash My Sony E-reader Yet

While I’ve metaphorically trashed the Sony E-reader a couple of times when comparing it to the Kindle, a whole new world just opened up for the little device: Google has launched their new Google ebookstore, and they’re selling books in the e-pub format for Sony and Nook.

But the best news is that they’re making literally millions of public domain books available for free.  Want to catch up on your Sherlock Holmes–maybe Dickens for Christmas?  It’s going to all be there.

Better yet, Google executives have stated that while they don’t want to start a price war for the copyrighted works they sell, they do want them to be among the most competitive.

I predict a fall in the price of e-books with Amazon leading the way.

This will be fun!

Publish or Perish: A New Deadline

Deadlines are hell.  Anyone knows that, but self-imposed deadlines are the worst because there’s no one standing over you with a whip.  You can wiggle out of them, pretend you never imposed the deadline or forgive yourself if you fail to complete your self-assigned task by your self-assigned deadline.

Unless you inform everyone you know of your deadline.  Then they’re all watching.  They’ll all know if you fail.  So here goes: Wednesday December 22nd.  By that time I vow to have the anthology of my Sioux Rock Falls stories e-published, complete with ISBN, the government of Canada willing.

I know that doesn’t seem like a big deal since six of the stories were already published in Storyteller magazine,  but I’ve promised many people that there will be two all new stories in the anthology, stories that have never seen the light of day let alone a publisher.

So here I go.  Work, kids, home renovations and just about anything else will stand in the way, but I’m determined that by Christmas anyone who cares to can download my anthology.

The thing is, I hate deadlines.  But damn if they don’t motivate.

Conflicted About The New Publishers Taking Their Cut

Amazon and Sony have crossed the line from e-book stores to publishers, although they’re using a very old method to recruit want-to-be-authors:  self-publishers, also known as vanity presses.

There are still bent self-publishers out there, promising fame and fortune if you pay them to publish your novel.  But there are also new smart and professional self-publishers.  Amazon fronts CreateSpace.  The Reader Store has made two deals, one with  Author Solutions and the other with Smashwords.

Traditional publishers have been accused of being gatekeepers, of publishing only authors they know and not truly considering new talent, but the new e-book stores like Amazon and Sony are minding a different gate.  They’ll publish anyone and let the market sort them out, but they want their cut.

To e-publish with Amazon, you’ll get a 70% royalty.  This may be great compared to the 15% you’d be happy to get from a traditional publisher, but Amazon doesn’t have to hire editors, printing presses, trucks or pay for promotion.  What they’re charging 30% royalty for is simply the right to be on Amazon.

Sony’s deal is pretty much the same for their Reader store.  If you want to e-publish with them they’ll send you to Smashwords, who will put your novel into a number of formats, including the e-pub that you need for the Sony Reader store.

Now I could use Calibre open source software to put my novel into e-pub format and offer it for sale through my website for fans who own Sony e-readers, but the traffic on my website isn’t anything compared to the Reader Store.

So that’s why I would eat the 30%.  It’s not unlike the traditional publishers paying for prominent placement in brick and mortar stores.  Not that a self-published author will get front page placement on Amazon, but they’ll have the feel of legitimacy when they send friends to search Amazon or the Reader store for their novels.

And Amazon and Sony will be happy to take their cut of your friends’ money.

I guess that’s okay.  They’re not promising to make you famous.  Yet I’ve got that oligopoly feeling I get when I look at traditional publishers–that claustrophobic feeling that makes me want to shout unfair!  Who made you the gatekeepers?

Of course they’d probably reply that the internet is a big place and I can go anywhere I want, and try to sell my novel anyway I want.  Which is true.  It would just be much easier with Amazon and Sony.

So I’m conflicted.

Fogel Defends Hard and Soft Cover Books

Guest Post by Melanie Fogel

Not everyone who reads books keeps them. Those of us who do line our walls with books do so because we love books. We like looking at them; we like holding them. Some of us even enjoy dusting them.

I’ll assume somewhere in the world there are people who like to “show off how smart they are by what’s on their bookshelf,” but that’s not me, nor the people I know. And on behalf of all book lovers, I take exception to your dismissing us like that.

Book lovers are a subclass of readers. I suppose there are book lovers who don’t read, but I’ve yet to meet one. They may not love books for the same reasons I and the people I know do.

There’s something wonderful about sitting in a room surrounded by books. It’s like sitting in a room surrounded by friends and family: no matter where you cast your eye, you see someone with whom you have an emotional bond. And unlike family, you can chuck the ones who made you angry or sad. So there’s only good memories in a room full of books.

Books aren’t just containers for ideas, they’re artifacts to appreciate in their own right: their colours, their textures, their smells. As packages, they beat heart-shaped chocolate boxes hands down. More than that, reading—at least in the age of paper books—is a tactile experience, and just touching a book can recall memories. Opening one is even better.

Unlike electronic books, paper books can hold more than ideas. Signatures, for example. Or bookplates, which are somehow more intriguing when you’ve acquired the book second hand, and you wonder why anyone who took the trouble to paste in a bookplate would later give the book up. Then there’s the miscellany of what else you use for a bookmark: postcards, photographs, shopping receipts, dollar bills. Or bookmarks themselves—be they embossed leather gifts from friends, souvenirs of a book launch, a giveaway from a bookstore no longer in business. All memories at least as rich as photographs, that spring at you unexpectedly when you open a book.

A room lined with books is a room filled with potential that you can “see.”

I have no doubt that today there are children who will become adult readers who’ve never read a paper book. They won’t know what they’re missing, which is probably a good thing for them. But I have to wonder what they’ll fill their rooms with, and if it’ll be anything near as satisfying as a room full of books.

Is My Sony E-Reader Doomed?

If I truly knew the answer to that I’d be a rich stock investor and not a writer with a day job, but this article makes me wonder if sometime in the next couple of years there might be a great opportunity to short Sony stock.

For those of you who have a life and don’t have time for the article: the salient prediction is that Amazon and the Kindle will move from 50% e-book market share to 90% market share.

This is because Amazon wisely treated Kindle as a platform rather than a device.  You can download Kindle for free to everything from your Blackberry to your PC and then buy your e-books from Amazon.

Remember all those predictions about i-pad being a Kindle killer?  Most people now use the Kindle app to read books on their i-pads, which means they’re buying e-books from Amazon instead of the i-bookstore.

I still use my Sony E-Reader, but I remember beta VCRs and I wonder if one day one of my kids will find a dusty Reader sitting on a shelf and say, “Hey Dad, what’s this thing?”

John Grisham’s Revelation

I know I said this yesterday and last week, but now John Grisham has said it too.

He was commenting in the Wall Street Journal about the first week’s sales of his new novel The Confession.  It seems the number of hardcover sales were well below the first week’s sales of his previous novel The Associate, way back in February of 2009.

Here’s what surprised Grisham and his publisher: the ebook sales of 70,000 units more than made up for the fewer number of hardcover sales.  More people were reading his book even though fewer people were buying the hardcover.

“The e-book sales are astonishing,” says Grisham.  “Would anybody have thought that a year ago?  The future has arrived, and we’re looking at it.”

With the hardcover at $30 bucks and the Kindle e-book at $9.99, it’s not hard to see why e-book sales are taking off.

Grisham’s publisher, Doubleday, has printed 1.5 million hardcovers instead of the 2.8 million that they had originally planned to print.  Good call.

And hey, think of all the trees they saved, and the trucks that aren’t farting around the country delivering boxes of books.

I’m breathing easier already.  I like the future.

What I Wrote for The Crime Writers of Canada

E-readers: A Fad or the Future?

Way back in 1994, a CBC television producer told a researcher I was dating that the internet was just a fad like CB radios.  If she wanted to build a web page for the show, she’d have to do it on her own time.  Oops.

The producer can be forgiven this assessment of the internet because he was confusing a device, a radio, with a new and highly versatile medium of expression.  C.B. radios had only one purpose, and no one could use them for advertising.  He was also probably thinking about that eight-track tape player gathering dust in his basement.

E-books are the new must-have gadget, and they are everywhere.  Last week the new color version of Barnes and Noble’s Nook reader launched.  They’ve sold over a million of the old (so last year) black and white version, and they expect to sell a million of the color Nook over the next year.  Combine that just with Amazon’s Kindle and the Sony e-reader and you’ve got a lot of consumers looking for content for their new toys.  Let’s not even get into the tablets like the i-pad.  Avid readers can also get apps for their smart phones that’ll allow them to purchase e-books, so every Blackberry, Apple i-phone or any phone with Google’s Android operating system is a potential e-reader.

But I’m sure some authors and publishers are still thinking about all those eight-track tape players or their Beta VCRs.

They should think again.  E-readers are evolving platforms for expression.  Cookbooks will be able to insert how-to videos, and advertisers can find nooks (pun intended) and crannies to sneak in their less than subtle messages.  People can find new ways to make money.

More importantly, like the internet, e-book readers are going to enable content providers and facilitators to appear from unexpected places.  Who’d ever heard of Google, E-bay, Wikipedia, Facebook or even Craigslist in 1994?

E-readers are going to allow small publishers to distribute electronic downloads on an equal footing with big publishers.  No trucks required.  No expensive warehouses.  There will be price wars, content wars and jostling for attention.

I don’t predict the imminent death of the hardcover or paperback because some people still like to show how smart they are by what’s on their bookshelf.  But like the newspapers, big publishers are going to have to get used to slumping sales of paper books–sales that never recover to the glory days of the twentieth century and fade with the boomers.

Yet e-readers may be good for writers.  There’s opportunity for creativity, a new and (for now) more egalitarian platform from which to sell your words.  It’s exciting.  I’ll go out on a limb and say that it’s the future.  You heard it here first.

By the way, I married the researcher.

Mike’s Note:

The Crime Writers of Canada asked me for an article on e-books for their newsletter.  The article I wrote above turned out to be very similar to one they’d published last month.  Who knew?  I’m not the first person to see this coming.

I slashed off a different article for the newsletter, but above is what those Crime Writers would have read if they hadn’t aleady read it somewhere else.